Led by the New York Times dance critic Roslyn Sulcas, this week-long workshop will explore the components of writing a dance review, develop tools to approach a range of different dance forms and look at the importance and impact of cultural context when writing about any art form. Participants will be asked to review Dance Massive performances to be read and critiqued during some of the workshops.

*Suitable for emerging dance critics, journalists, arts writers with an interest in writing on dance

Tickets for this workshop enable free entrance to three Dance Massive shows